The 2023 Cycle

With its amazing staging the full length of the cathedral’s nave, reminiscent of the event’s origins on the streets of Chester, John Young’s vision of the Plays was brought to life by a crew of talented theatre professionals who provided the guidance and technical expertise that allowed our cast of volunteer actors and musicians to truly shine. The script was adapted by John Young from 1987 script by Edward Burns.

  • a fluid, dreamlike blending of storiesThe Guardian
  • slickly delivered spectacleThe Stage (4 stars)
  • involving, atmospheric performancesThe Observer (4 stars)
  • it leaves its mark on the core of your being. The Reviews Hub (5 stars)
  • a triumph The Reviews Hub (5 stars)
  • a phenomenal production that audiences will want to see again and again Broadway World – (5 stars)
  • Biblical tales brought magnificently to life Chester Chronicle (5 stars)
  • probably the most spectacular, innovative, emotional and exhilarating versions since the stories were first moved inside the Chester Cathedral building Chester Chronicle (5 stars)
  • A phenomenal theatrical experience North West End (5 stars)
  • exciting, entertaining and…… emotionally engaging Northern Soul (4 stars)
  • a thoroughly committed dramatic performanceTheatre Reviews North (4.5 stars)
  • a unique theatrical experienceThe Chester Blog
  • breathtakingly beautiful productionLucy Meacock, Granada TV
Reviews

Meet the Professionals

Click pics to see biographies

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John Young - Director

John trained on the National Theatre Directors Course and is a former Resident Assistant Director at The Finborough Theatre. Prior to this he completed the Emerging Trainee Director Scheme at Theatr Clwyd. John is the Associate Artistic Director of Yet Another Carnival a Resident Company at Storyhouse. John has recently been appointed as the Artistic Director for the 2023 cycle of The Chester Mystery Plays.

Direction includes: Romeo and Juliet and The Merry Wives of Windsor (Grosvenor Park Open Air Theatre), The Funny Thing About Depression (South Douglas Old Friends Association), The Drag Nativity and A Drag Christmas Carol (United Services), When the Light Goes Out (Tatton Park), Vincent River (Hope Mill Theatre), For the Fallen (Ballakermeen Studio), To Dream Again (Polka Theatre and Theatr Clwyd), A Brief History of Holding Hands (Vault Festival), Scattered (Theatr Clwyd, West Yorkshire Playhouse and National Tour), We Know Where You Live (Finborough Theatre), A Place in the Woods (Tristan Bates), The Watchers (Southwark Playhouse), What the Walls Saw, The Thing Is and The Joy Show (Grosvenor Park Open Air Theatre Young Company), and Soft Beats the Heart (Theatre503).

Film Includes: Transfiguration: I Fall and We Rise (Fallen Angels) and Christmas Street (Theatre in the Quarter).

Matt Baker - Composer and Musical Director

Matt has composed for many theatre productions around the UK, including several cycles the Chester Mystery Plays, and Chester City Passion. He is artistic director for Theatre in the Quarter which has created exciting projects with people of all ages, abilities and backgrounds, taking place in a range of settings, from palaces to railway stations, regional theatres to village halls. He is musical director for the women’s choir A Handbag of Harmonies, Chester’s LGBT choir Proud Marys and is director of music at the University of Chester.

Matt’s work as musical director with young people takes him to all corners of the world including Australia, India, Malaysia and Germany. During the pandemic, his work with the International Schools Theatre Association has involved creating film and music with students from all across the globe. Matt and his neighbours created a lockdown ‘musical’ called We’ll Meet Again which was viewed over 400,000 times and was featured on television both nationally and across the world in May 2020. Matt is also widely sought to bring people from all backgrounds together in singing, whether it is hundreds of children in a park, or thousands of bank workers in a stadium.

For his commitment to the arts in Cheshire over the years, Matt has received an honorary Master of Music Degree from the University of Chester, and an honorary Master of the University degree from Open University. He also received the Outstanding Achievement award from the Cheshire Community and Voluntary Arts. Matt was proud to be included in The Queen’s Birthday Honours list in 2021, receiving a British Empire Medal for his services to music and communities in Chester and beyond.

Jess Curtis - Designer

Jess trained at Motley.

Recent work includes VINCENT RIVER (The Bridge Theatre, Brussels); POSTCARD FROM MOROCCO (Dutch National Opera Academy); JEKYLL AND HYDE (Derby); BRIEF ENCOUNTER (Stephen Joseph Theatre); GENESIS INC. (Hampstead Theatre); LOSING VENICE (The Orange Tree Theatre); UNCLE VANYA (The Almeida); VILLETTE, DANGEROUS CORNER (West Yorkshire Playhouse); POD, PROVOK’D devised at Guildhall School); KISS ME QUICKSTEP, HAUNTING JULIA, LOVE LETTERS (The Queen’s Theatre, Hornchurch); ONE FOR THE ROAD, GLASS CAGE, FOLLIES (Royal and Derngate, Northampton); THE HOLY ROSENBERGS (National Theatre); HOTEL CERISE (Theatre Royal, Stratford East); ANOTHER DOOR CLOSED (Theatre Royal Bath); ENDGAME (Liverpool Everyman); DANGEROUS CORNER (West Yorkshire Playhouse and West End); FRANKENSTEIN (Frantic Assembly, Northampton); BURIAL AT THEBES (Nottingham Playhouse/Barbican/US Tour) and RHAPSODY, FANTASY (Royal Ballet at the Royal Opera House).

She has also designed the Grosvenor Park Open Air Season 2013- 2016/2021, the opening season at Storyhouse, Chester and bar interiors for Underbelly at the South Bank, Hyde Park and Leicester Square.

She is part of the Society of British Theatre’s Sustainability working group.

Emma Briggs - Movement Director

Emma trained at Ballet Rambert and London Contemporary Dance School in London and after deciding to make teaching her career, successfully graduated from the three year teacher training course at the Royal Academy of Dancing. Upon graduating, Emma was awarded the RAD Licentiate Diploma Certificate and received the award for ‘Outstanding Choreographer’. Emma began her vocational teaching at the RAD headquarters in Battersea, setting up an outreach programme in contemporary dance as well as various other teaching jobs around London and the UK. She choreographed for Vidal Sassoon hair shows and other dance colleges. Emma then worked for English National Ballet in the costume department before she accepted a post as Ballet/Contemporary teacher at ‘Centro de Danza’ school in Valencia, Spain. While in Valencia, she was senior teacher and exam coach within the ballet school and ballet mistress and resident choreographer for the professional touring company.

Emma has 30 years’ experience as a contemporary teacher and choreographer that has taken her all over the world. She was appointed classical/contemporary teacher for Vocational Colleges in the North West, The Hammond School, KSDance, Northern Ballet School, Centrepointe, and for the British Ballet Organisation Associates in Manchester. Emma has been part of the faculty at the International Cecchetti Competition in Manchester teaching contemporary dance to the finalists and summer school students. Choreographer for finalist in the BBC Young Dancer of the Year. She has previously collaborated with Soundscape Orchestra and professional dancers at venues throughout the North West and was appointed contemporary choreographer for a professional company BalletNorthWest.

Emma is thrilled to be working as the Movement Director for the Chester Mystery Plays 2023 alongside Director John Young, a fantastic artistic team and a fabulous cast.

Aaron J Dootson - Lighting Designer

Training: Wimbledon College of Art (Lighting Design and Practice, Distinction, 2009).

Credits include: Pigs Might Fly (Theatre Peckham/UK You); A Kiss for Cinderella & Ragtime (MCT at Alleyns - NYMT); Hair (Bridewell Theatre); Fame (Alexandra Theatre); Spring Awakening (The Hammond); Grease (The Hammond); Zog & The Flying Doctors (UK Tour 2022); Henrietta & Billy The Kid (MCT at Alleyns - NYMT); Pippin (Charing Cross Theatre); Forever Plaid (Upstairs at the Gatehouse); Fame, Jekyll & Hyde (The Hammond); Parade, Legend Trippers & Anything Goes (Other Palace - NYMT); Jerry Springer The Opera (Hope Mill Theatre); Legally Blonde (The Hammond); The Exonerated (Hope Mill Theatre); Cabaret (The Hammond); Aspects of Love (Southwark Playhouse); Rise & Fall (Page One Theatre); Betty Blue Eyes (GSA); Illusion (HOME); Wind In The Willows (Polka Theatre); The Return Of The Soldier (Hope Mill Theatre); Feed (Pleasance Dome); Aspects Of Love (Hope Mill Theatre); Notre Dame (Alexandra Theatre); Double Act (Polka Theatre); For The Fallen (Ballakermeen Theatre); Happy Warriors (Upstairs at the Gatehouse); Night at the Oscars (Upstairs at the Gatehouse); Illuminate (Manchester Central Library); Snow Queen (Polka Theatre); Hamlet (Wyllyotts Theatre); My Brother, My Sister & Me (Polka Theatre); Decade (Assembly Theatre); Pippin (Southwark Playhouse/Hope Mill Theatre); Hatch (Polka Theatre); YANK!! (Charing Cross Theatre and Hope Mill Theatre); Sarah & Duck (Polka Theatre and UK Tour).

www.aaronjdootson.co.uk

Kieran Lucas - Sound Designer

Kieran is a sound designer and theatre-maker. He is a founding member of Barrel Organ theatre company & associate artist at Coney.

Selected sound & composition credits include: A Billion Times I Love You (Liverpool Everyman), Hungry (Soho Theatre), May Queen (Belgrade Theatre), First Touch (Nottingham Playhouse), SHTF (Schauspielhaus Wien), Hungry, Black Love, May Queen, Really Big & Really Loud (all Paines Plough Roundabout), Deciphering (New Diorama) [Off West End Award nominated for Best Sound Design], The Future Project (Streatham Space Project), Me For The World (Young Vic), Antigone (New Diorama), GASTRONOMIC (Shoreditch Town Hall/Norwich Theatre Royal), Found Sound (Coventry Cathedral), Companion: Moon (Natural History Museum), How We Save The World (Natural History Museum), TBCTV (Somerset House), Square Go (Paines Plough Roundabout/59E59), The Drill (Battersea Arts Centre) A Girl In School Uniform Walks Into A Bar (New Diorama) [Off West End Award nominated for Best Sound Design], My Name Is Rachel Corrie (Young Vic), Hear Me Raw (Soho Theatre/Arcola Theatre), Under The Skin (St. Paul's Cathedral).

www.kieranlucas.co.uk

Assistant Musical Director – Joe Mann

Costume Supervisor –
Paula Cain
Props Manager –
Chris Mapp
Fight Director –
Kaitlin Howard

Associate Lighting Designer –
Nathan Storm
Production Electrician –
Will Harris

Associate Sound Designer –
Josh Evans
Sound No 2 –
Fraser Mackie
Production Sound Engineer –
Martin Curtis

Stage Manager – Laurence Noble
Deputy Stage Manager – Rae Woods
Assistant Stage Manager –
Harvey Shearer
Stage Crew –
Em Read, Robin Miskimmin

Children’s Officer – Julie Elston
Chaperone –
Elaine Devaney

Production Manager –
Chris Bell
Business & Project Manager –
Chris Walton

Press & Social Media –
Jo Henwood

Set Built by
Liverpool Scenic
Seating supplied by
GL Events
Lighting Equipment supplied by
White Light
Sound Equipment supplied by
Stage Sound Services
Scaffolding supplied by
Skylark Scaffolding

Programme sub-editor –
Vanda Hargen
Program co-ordinator/Webmaster –
Andrew Longfield
Programme Design & Print –
Double Click Design & Print CIC
2023 Cycle branding design –
Rebecca Pitt Creative

Photography –
Pamela Raith, Mark Nelson

Meet the Professionals

Click pic to open/close biography

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Click for biog

John Young - Director

John trained on the National Theatre Directors Course and is a former Resident Assistant Director at The Finborough Theatre. Prior to this he completed the Emerging Trainee Director Scheme at Theatr Clwyd. John is the Associate Artistic Director of Yet Another Carnival a Resident Company at Storyhouse. John has recently been appointed as the Artistic Director for the 2023 cycle of The Chester Mystery Plays.

Direction includes: Romeo and Juliet and The Merry Wives of Windsor (Grosvenor Park Open Air Theatre), The Funny Thing About Depression (South Douglas Old Friends Association), The Drag Nativity and A Drag Christmas Carol (United Services), When the Light Goes Out (Tatton Park), Vincent River (Hope Mill Theatre), For the Fallen (Ballakermeen Studio), To Dream Again (Polka Theatre and Theatr Clwyd), A Brief History of Holding Hands (Vault Festival), Scattered (Theatr Clwyd, West Yorkshire Playhouse and National Tour), We Know Where You Live (Finborough Theatre), A Place in the Woods (Tristan Bates), The Watchers (Southwark Playhouse), What the Walls Saw, The Thing Is and The Joy Show (Grosvenor Park Open Air Theatre Young Company), and Soft Beats the Heart (Theatre503).

Film Includes: Transfiguration: I Fall and We Rise (Fallen Angels) and Christmas Street (Theatre in the Quarter).

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Click for biog

Matt Baker - Composer and Musical Director

Matt has composed for many theatre productions around the UK, including several cycles the Chester Mystery Plays, and Chester City Passion. He is artistic director for Theatre in the Quarter which has created exciting projects with people of all ages, abilities and backgrounds, taking place in a range of settings, from palaces to railway stations, regional theatres to village halls. He is musical director for the women’s choir A Handbag of Harmonies, Chester’s LGBT choir Proud Marys and is director of music at the University of Chester.

Matt’s work as musical director with young people takes him to all corners of the world including Australia, India, Malaysia and Germany. During the pandemic, his work with the International Schools Theatre Association has involved creating film and music with students from all across the globe. Matt and his neighbours created a lockdown ‘musical’ called We’ll Meet Again which was viewed over 400,000 times and was featured on television both nationally and across the world in May 2020. Matt is also widely sought to bring people from all backgrounds together in singing, whether it is hundreds of children in a park, or thousands of bank workers in a stadium.

For his commitment to the arts in Cheshire over the years, Matt has received an honorary Master of Music Degree from the University of Chester, and an honorary Master of the University degree from Open University. He also received the Outstanding Achievement award from the Cheshire Community and Voluntary Arts. Matt was proud to be included in The Queen’s Birthday Honours list in 2021, receiving a British Empire Medal for his services to music and communities in Chester and beyond.

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Click for biog

Jess Curtis - Designer

Jess trained at Motley.
Jess trained at Motley.

Recent work includes VINCENT RIVER (The Bridge Theatre, Brussels); POSTCARD FROM MOROCCO (Dutch National Opera Academy); JEKYLL AND HYDE (Derby); BRIEF ENCOUNTER (Stephen Joseph Theatre); GENESIS INC. (Hampstead Theatre); LOSING VENICE (The Orange Tree Theatre); UNCLE VANYA (The Almeida); VILLETTE, DANGEROUS CORNER (West Yorkshire Playhouse); POD, PROVOK’D devised at Guildhall School); KISS ME QUICKSTEP, HAUNTING JULIA, LOVE LETTERS (The Queen’s Theatre, Hornchurch); ONE FOR THE ROAD, GLASS CAGE, FOLLIES (Royal and Derngate, Northampton); THE HOLY ROSENBERGS (National Theatre); HOTEL CERISE (Theatre Royal, Stratford East); ANOTHER DOOR CLOSED (Theatre Royal Bath); ENDGAME (Liverpool Everyman); DANGEROUS CORNER (West Yorkshire Playhouse and West End); FRANKENSTEIN (Frantic Assembly, Northampton); BURIAL AT THEBES (Nottingham Playhouse/Barbican/US Tour) and RHAPSODY, FANTASY (Royal Ballet at the Royal Opera House).

She has also designed the Grosvenor Park Open Air Season 2013- 2016/2021, the opening season at Storyhouse, Chester and bar interiors for Underbelly at the South Bank, Hyde Park and Leicester Square.

She is part of the Society of British Theatre’s Sustainability working group.

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Click for biog

Emma Briggs - Movement Director

Emma trained at Ballet Rambert and London Contemporary Dance School in London and after deciding to make teaching her career, successfully graduated from the three year teacher training course at the Royal Academy of Dancing. Upon graduating, Emma was awarded the RAD Licentiate Diploma Certificate and received the award for ‘Outstanding Choreographer’. Emma began her vocational teaching at the RAD headquarters in Battersea, setting up an outreach programme in contemporary dance as well as various other teaching jobs around London and the UK. She choreographed for Vidal Sassoon hair shows and other dance colleges. Emma then worked for English National Ballet in the costume department before she accepted a post as Ballet/Contemporary teacher at ‘Centro de Danza’ school in Valencia, Spain. While in Valencia, she was senior teacher and exam coach within the ballet school and ballet mistress and resident choreographer for the professional touring company.

Emma has 30 years’ experience as a contemporary teacher and choreographer that has taken her all over the world. She was appointed classical/contemporary teacher for Vocational Colleges in the North West, The Hammond School, KSDance, Northern Ballet School, Centrepointe, and for the British Ballet Organisation Associates in Manchester. Emma has been part of the faculty at the International Cecchetti Competition in Manchester teaching contemporary dance to the finalists and summer school students. Choreographer for finalist in the BBC Young Dancer of the Year. She has previously collaborated with Soundscape Orchestra and professional dancers at venues throughout the North West and was appointed contemporary choreographer for a professional company BalletNorthWest.

Emma is thrilled to be working as the Movement Director for the Chester Mystery Plays 2023 alongside Director John Young, a fantastic artistic team and a fabulous cast.

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Click for biog

Aaron J Dootson - Lighting Designer

Training: Wimbledon College of Art (Lighting Design and Practice, Distinction, 2009).

Credits include: Pigs Might Fly (Theatre Peckham/UK You); A Kiss for Cinderella & Ragtime (MCT at Alleyns - NYMT); Hair (Bridewell Theatre); Fame (Alexandra Theatre); Spring Awakening (The Hammond); Grease (The Hammond); Zog & The Flying Doctors (UK Tour 2022); Henrietta & Billy The Kid (MCT at Alleyns - NYMT); Pippin (Charing Cross Theatre); Forever Plaid (Upstairs at the Gatehouse); Fame, Jekyll & Hyde (The Hammond); Parade, Legend Trippers & Anything Goes (Other Palace - NYMT); Jerry Springer The Opera (Hope Mill Theatre); Legally Blonde (The Hammond); The Exonerated (Hope Mill Theatre); Cabaret (The Hammond); Aspects of Love (Southwark Playhouse); Rise & Fall (Page One Theatre); Betty Blue Eyes (GSA); Illusion (HOME); Wind In The Willows (Polka Theatre); The Return Of The Soldier (Hope Mill Theatre); Feed (Pleasance Dome); Aspects Of Love (Hope Mill Theatre); Notre Dame (Alexandra Theatre); Double Act (Polka Theatre); For The Fallen (Ballakermeen Theatre); Happy Warriors (Upstairs at the Gatehouse); Night at the Oscars (Upstairs at the Gatehouse); Illuminate (Manchester Central Library); Snow Queen (Polka Theatre); Hamlet (Wyllyotts Theatre); My Brother, My Sister & Me (Polka Theatre); Decade (Assembly Theatre); Pippin (Southwark Playhouse/Hope Mill Theatre); Hatch (Polka Theatre); YANK!! (Charing Cross Theatre and Hope Mill Theatre); Sarah & Duck (Polka Theatre and UK Tour).

www.aaronjdootson.co.uk

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Click for biog

Kieran Lucas - Sound Designer

Kieran is a sound designer and theatre-maker. He is a founding member of Barrel Organ theatre company & associate artist at Coney.

Selected sound & composition credits include: A Billion Times I Love You (Liverpool Everyman), Hungry (Soho Theatre), May Queen (Belgrade Theatre), First Touch (Nottingham Playhouse), SHTF (Schauspielhaus Wien), Hungry, Black Love, May Queen, Really Big & Really Loud (all Paines Plough Roundabout), Deciphering (New Diorama) [Off West End Award nominated for Best Sound Design], The Future Project (Streatham Space Project), Me For The World (Young Vic), Antigone (New Diorama), GASTRONOMIC (Shoreditch Town Hall/Norwich Theatre Royal), Found Sound (Coventry Cathedral), Companion: Moon (Natural History Museum), How We Save The World (Natural History Museum), TBCTV (Somerset House), Square Go (Paines Plough Roundabout/59E59), The Drill (Battersea Arts Centre) A Girl In School Uniform Walks Into A Bar (New Diorama) [Off West End Award nominated for Best Sound Design], My Name Is Rachel Corrie (Young Vic), Hear Me Raw (Soho Theatre/Arcola Theatre), Under The Skin (St. Paul's Cathedral).

www.kieranlucas.co.uk

Assistant Musical Director
Joe Mann

Costume Supervisor
Paula Cain

Props Manager
Chris Mapp

Fight Director
Kaitlin Howard

Associate Lighting Designer
Nathan Storm

Production Electrician
Will Harris

Associate Sound Designer
Josh Evans

Sound No 2
Fraser Mackie

Production Sound Engineer
Martin Curtis

Stage Manager
Laurence Noble

Deputy Stage Manager
Rae Woods

Assistant Stage Manager
Harvey Shearer

Stage Crew
Em Read, Robin Miskimmin

Children’s Officer
Julie Elston

Chaperone
Elaine Devaney

Production Manager
Chris Bell

Business & Project Manager
Chris Walton

Press & Social Media
Jo Henwood

Set Built by
Liverpool Scenic

Seating supplied by
GL Events

Lighting Equipment supplied by
White Light

Sound Equipment supplied by
Stage Sound Services

Scaffolding supplied by
Skylark Scaffolding

Programme sub-editor
Vanda Hargen

Program co-ordinator/Webmaster
Andrew Longfield

Programme Design & Print
Double Click Design & Print CIC

2023 Cycle branding design
Rebecca Pitt Creative

Photography
Pamela Raith, Mark Nelson

Our Sponsors for 2023

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